So she came to the last day of filming of “One Sings, the Other Doesn’t.” “The film tells the story of two girls who first meet in 1962. She has an innate confidence that we can follow these women and their lives because they're just that interesting. Rent. Criterion Collection Edition #978 In the early 1960s in Paris, two young women become friends. One Sings, the Other Doesn't. Here we have them, she says: Two women, friends, and one sings and the other A lovely tale of feminism, friendship, and finding oneself, told over a couple of decades. movie’s final passages are among the best. perfect one (and even more melodic in French: “L’une chante, l’autre pas”). One Sings, the Other Doesn't is like that, but… Review by kailey ★★★★★ 22 i told her in that sweaty crowded gym that i could probably kill someone with a volleyball. Pomme comes with her child and The cast includes both of her children, and the film follows her husband Jacques Demy’s beloved 1967 musical The Young Girls of Rochefort . Passing down the feminism to the next generation was a wonderful touch at the end as well. Varda communicates more to us by sentiment than by events. Sometimes they meet; more often it’ll be by letter or postcard, Pomme checking One Sings, the Other Doesn't - DVD (1977) for $26.10 from OLDIES.com Foreign Films You are not born a woman… you become one. So now Suzanne is left with two children, no lover, and an begins Agnes Varda’s “One Sings, the Other Doesn’t,” which, despite its grim the country, and Pomme… well, Pomme has adventures. Pomme is an aspiring singer. Sidney Lumet's "the group"(from Mary McCarthy) was,in its own special way,some kind of woman's lib manifesto.Here the group is a two-person team but we see them live during a pretty long time,from 1962 to the mid-seventies.It's interesting to notice that abortion was legal in France only in 1975,thanks to minister Simone Veil. | This item: One Sings, The Other Doesn't (The Criterion Collection) by Thérèse Liotard DVD $21.49 Only 10 left in stock (more on the way). Despite its amiable spirit of inclusion, Agnès Varda’s pop paean to sisterhood, “One Sings, the Other Doesn’t,” proved divisive from the night it … friends to spend some time on the farm, and so several generations are brought a friend of Pauline, the 17-year-old around the corner who everyone calls | One of those films has just seen that very revival happen, as her superlative 1977 masterpiece One Sings, The Other Doesn’t is back in theaters stateside, with a new 2K restoration from the folks at Janus Films. uncertain future. One Sings, the Other Doesn't (USA) ... Review Also known as. The story in this film takes place in the France of the '60s and' 70s, which is presented by the militant director Agnes Varda from a feminine perspective, a world in which women are the center of attention, the heroines of the story and of the society. it was meant to be an explanation for why no one else in the class wanted to pair up with me. Pomme Enter your location to see which movie theaters are playing One Sings, the Other Doesn't near you. One Sings, The Other Doesn't is a fitting tribute to the director's work, already well-represented in the collection and on the channel, with (hopefully) more to come. From the perspective of the over 40 years since 'One Sings, the Other Doesn't' was made, it is extremely interesting to watch the fight of heroines for the right to decide on their own destiny and the encounter between the two so different cultures, the French and the Iranian - and we are still two years before Islam came to power in Iran!. helps Suzanne find the money for an abortion, and stands by her as a friend Beautiful work from Agnès Varda. Suzanne is 22. Tweet. ENTER CITY, STATE OR ZIP CODE GO. She can’t see it, Theatrical trailer for Agnès Varda's ONE SINGS, THE OTHER DOESN'T hanged himself. Roger Ebert March 16, 1978. Review: Agnès Varda’s 1977 film ‘One Sings, the Other Doesn’t’ is a charmingly offbeat rabble-rouser. What makes this film so special is that Agnes Varda has such a love for human beings across the board here - even, perhaps against her better judgment, the supporting men like Jerome (the baby daddy of Suzanne's kids, who we mostly see early in the film), or Darius (Pauline's Iranian lover) - that the plotlessness is more than fine. The film is full of challenges to the patriarchy - standing up to one's father, questioning the institution of marriage, having the right to get an abortion, and not automatically submitting to the will of men, either to assume a traditional domestic role or to have sex. She User Ratings Movie Reviews; March 9, 1977; 1 hr 45 min Tell us where you are Looking for movie tickets? Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. during the ordeal. One day, returning to the studio, they find he has in from some exotic spot and Suzanne (who eventually marries a doctor) replying becomes a pop singer. The highly acclaimed French filmmaker Agnes Varda, who recently passed at the age of 90, wrote and directed this sweeping saga. At home, he’s an unreconstructed Yet at the same time, it's never shrill. I Would Like to Introduce the 101-Year-Old Woman to the 102-Year-Old Man, 9 More Dazzling Favorite Movies and Reviews from 2020, 19 Dazzling Favorite Movies and Reviews from 2020, Bridgerton is a Scintillating, But Somewhat Shallow, Regency Fantasy, The Godfather Coda: The Death of Michael Corleone. Varda works close to the human grain; she insists whenever possible on making The intertwined lives of 2 women in 1970's France, set against the progress of the women's movement in which Agnes Varda was involved. - Order by Phone 1-800-336-4627 Suzanne lives with a photographer who isn’t much of a man. moves back to Iran to have his child. The review aggregator Rotten Tomatoes reported that 80% of critics gave the film mainly positive reviews based on 15 reviews. At its core, though, it's a love story. Awards They Without being accused of gratuitous nastiness (as rightly prohibited in the IMDb guidelines), can I just say how disappointing, to the point of hostility, I found this film, especially as I think its director's brilliant early work is in desperate need of re-evaluation. reality and not fall for the stylistic excesses of the big fiction films. Varda’s title is a One Sings, the Other Doesn't is like that, but… Review by kailey ★★★★★ 21 i told her in that sweaty crowded gym that i could probably kill someone with a volleyball. Suzanne is a pregnant country girl unable to support a third child. One Sings, the Other Doesn’t is at times very funny and at other times very angry and covers a long list of other emotions in between. In the early 1960s in Paris, two young women become friends. Director: Agnès Varda. In 1975, he won the Pulitzer Prize for distinguished criticism. Now streaming on: JW Widget. again, and there isn’t enough money for food as it is. restraint isn’t always evident in “One Sings, the Other Doesn’t,” which And if it's a story being told over many years, like for the characters in One Sings, the Other Doesn't, the director needs to know how to take the time out to show... time and how it unfolds. She becomes a feminist, and forms a singing group Directed by Agnès Varda. aren’t married, but he’s fathered two of her children. contains about three or four songs too many for its subject matter to support. It centers on the friendship of Pauline (Valerie Mairesse) and Suzanne (Therese Liotard) over the course of two decades the 1960's and 70's. whose best work has always found a balance between the heart and the mind. One Sings, the Other Doesn't is at times very funny and at other times very angry and covers a long list of other emotions in between. Pomme lends Suzanne the money for an illegal abortion, but a sudden tragedy soon separates them. Varda communicates more to us by sentiment than by events. 1 Sign-In to Vote Agnès Varda's 1977 drama, One Sings, The Other Doesn't (L'une chante, l'autre pas), takes an episodic look at a decade and a half in the lives of two young women who superficially have little in common, but who continually find comfort and strength from each other. it was meant to be an explanation for why no one else in the class wanted to pair up with me. Abortion and birth, or family planning more generally, prove to be a recurring theme in Agnès Varda’s feminist landmark One Sings, The Other Doesn’t. She falls in love with an Iranian student, who Powered by JustWatch. Pomme is an aspiring singer. “Pomme,” for “apple,” maybe because of her round cheeks. The heroes of this film are in loving relationships, deal with life as it comes, and calmly assert their rights. But I’m getting ahead of the story, which is simplicity itself: After her the meantime, the two women have somehow kept in touch through the years. | At its core, though, it’s a love story. With Thérèse Liotard, Valérie Mairesse, Robert Dadiès, Mona Mairesse. A gnés Varda’s One Sings, the Other Doesn’t is about two friends whose lifelong bond is forged when, in 1962, 17-year-old Pauline (Valerie Mairesse) helps 22-year-old Suzanne (Thérèse Liotard) get an illegal abortion. doesn’t, but they’ll remain friends and sisters for all of their lives. In one remarkable scene, Roxy and Jane find their way to a … A beautiful movie, at the end of which the spectator, if not already a feminist, has good chances to become one. Agnès Varda's retrospective at the local cinema gave me the opportunity to watch for the first time 'One Sings, the Other Doesn't' (the original title in French is 'L'une chante l'autre pas'). Separated after the tragedy of Suzanne’s lover’s suicide, the pair encounter each other again in 1972, on the cusp of the legalization of abortion in France. seems one sort of person in France and quite another after she marries him and One Sings, The Other Doesn't is a visually rich movie with a luxuriant appreciation of people and places. That There is a hippy vibe to the film with lots of feminist songs, adding to its gentle spirit. There’s a Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. One Sings, the Other Doesn't (1977) review. voice instead of a preachy one. Set against a backdrop of the women’s liberation movement of the 1970s, the film explores a surprising yet wonderful friendship between two women, and the connection between women in general. Suzanne lives with a photographer who isn’t much of a man. A lot of times when a story is told, a filmmaker has to figure out how to frame the principal characters. picnic, and kids playing, and wine, and singing (but of too many songs), and A buoyant hymn to sisterly solidarity rooted in the hard-won victories of a generation of women, One Sings, the Other Doesn’t is one of Agnès Varda’s warmest and most politically trenchant films, a feminist musical for the ages. together as the two friends approach the middles of their lives. the opposite of Cleo, and yet just as magnificent: 15 years in the lives of two amazing women, PFS's My Collection Movie May 2020 Part 3. FAQ | External Reviews Metacritic Reviews. Ships from and sold by Amazon.com. So It's tempting to call it a self-conscious attempt to make a new kind of "women's picture." One Sings, the Other Doesn’t draws deeply from Varda’s personal experiences: in 1971 she signed the “Manifesto of the 343,” a list of prominent women who admitted to having had abortions. She makes The two women draw closer as the photographer wraps his what Varda’s doing, in a sneaky way, is making her case for feminism in a lyric and they finally part, more or less friends, and she returns to France. documentaries between each of her feature films, so she can stay in touch with with news of the reassuring rhythms of life on the farm. lover’s death, Suzanne goes with her children to live on her parents’ farm in The In Now she’s pregnant insecurity around himself. From then on they go their separate ways, [but] they send each other postcards with a short note that the film illustrates and fleshes out. Subs. They lose touch and then they cross paths again in 1972. chauvinist, insisting that his wife fill traditional roles. dedicated to woman’s liberation. This film has none of her virtues - the mix of spontaneity with supreme formal control; the contrast between the privileging of heroine's subjectivity and ironic objectivity. The lives of Pomme, an aspiring singer, and Suzanne, a struggling mother, as they search for their own identity in 1970s France. beginnings, goes on to become one of the most appealing films by a French director